Prakash Jha's Aarakshan has something for everyone: To an average
viewer,
Aarakshan would serve to be a decent offering made special by
the presence of a stellar cast led by Amitabh Bachchan himself.
Aficionados would find it to be good enough to be considered as a case
study on India's socio-political system.
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The critics will find it too
absorbing to merely regard it as a satire on the prevalent education
system. Jha has a great understanding of the
Indian socio-political
setup having himself contested elections from the state of Bihar—the
second most influential state in the Indian political context.
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This
knowledge places Jha at a point of vantage in the purview of Indian
cinema. Jha's penchant for depicting realism in cinema puts him in a
very elusive list of
Indian filmmakers.
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With
Aarakshan, Jha succeeds at
both the technological and emotional fronts and more than makes up for
the shoddy display in his previous production,
Raajneeti. Jha uses his
stellar cast and camera to full effect in order to capture the
audience's attention right from the onset.
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He builds up his plot slowly
but rhythmically with a scalpel like precision that one seldom sees in
Hindi Cinema. What makes
Aarakshan unique is that it not only succeeds
in posing serious questions about the sensitive issue of reservation
but also manages to propose a common humanistic solution for it—one
that follows a
universal approach aimed at working at the very roots of
the problem.
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Prakash Jha's Aarakshan has something for everyone: To an average
viewer, Aarakshan would serve to be a decent offering made special by
the presence of a stellar cast led by Amitabh Bachchan himself.
Aficionados would find it to be good enough to be considered as a case
study on India's socio-political system.Click Here..........................
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